Growing up in a matriarchal household in Eswatini shaped my earliest understanding of strength, intimacy, and care. The women who raised me embodied a quiet power that continues to inform my practice. My paintings often become repositories of memory; personal and ancestral, allowing me to preserve fragments of women’s lives and traditions across time. I am deeply invested in exploring African womanhood both within Eswatini and across the African diaspora. My work becomes a space where memory and imagination meet — a way of tracing where we have come from while envisioning where we might go. I use the figurative African body as a vessel for these ideas, drawn to the way even the subtlest posture can carry immense power and speak volumes without words.