Ground Pangolin

  • Ground Pangolin
  • Lana Botha
  • gouache on paper
  • 21 x 21 centimeters

This body of work looks at how wildlife is represented today,

in a time where the natural world is no longer separate from

human influence. While traditional wildlife art focused

on documenting species through close observation,

these pieces reflect a different reality where animals exist

within systems that often threaten their survival.

Each work centres on a specific species and the pressures

it faces. The Cape stag beetle is connected to the fragility

of the fynbos, the forest redfin to the impact of forestry,

and the ground pangolin to poaching and electric

fencing. Instead of placing these animals in untouched

environments, I’ve brought in the elements that directly

affect them, making those relationships impossible to ignore.

There are a few symbols that run across all three pieces.

The star is something I use to suggest that these animals,

no matter how small or overlooked, should guide how we

treat the planet. It’s a way of bringing in care and attention.

The barcode, on the other hand, points to something more

uncomfortable. It reflects how easily living things

are reduced to value and profit.

For me, these works sit somewhere between

documentation and critique. I’m still interested in

observing and representing these animals, but I also want

to acknowledge the conditions they exist in and the role

we play in shaping their future.

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