This body of work looks at how wildlife is represented today,
in a time where the natural world is no longer separate from
human influence. While traditional wildlife art focused
on documenting species through close observation,
these pieces reflect a different reality where animals exist
within systems that often threaten their survival.
Each work centres on a specific species and the pressures
it faces. The Cape stag beetle is connected to the fragility
of the fynbos, the forest redfin to the impact of forestry,
and the ground pangolin to poaching and electric
fencing. Instead of placing these animals in untouched
environments, I’ve brought in the elements that directly
affect them, making those relationships impossible to ignore.
There are a few symbols that run across all three pieces.
The star is something I use to suggest that these animals,
no matter how small or overlooked, should guide how we
treat the planet. It’s a way of bringing in care and attention.
The barcode, on the other hand, points to something more
uncomfortable. It reflects how easily living things
are reduced to value and profit.
For me, these works sit somewhere between
documentation and critique. I’m still interested in
observing and representing these animals, but I also want
to acknowledge the conditions they exist in and the role
we play in shaping their future.